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Michael Kors Spring 2014 RTW
Illustrious designer Michael Kors produced an uplifting S/S 14/15 collection. Crisp, feminine silhouettes oozed of polished panache. Generously cut, full circle skirts in midi length proportions dominated the collection offering romanticism and freedom of movement. New York fifties style housewife meets Brigitte Bardot on the French Riviera best conjures up Kors' aesthetic.
The collection opened with a succession of all white ensembles. A profusion of uncluttered lines starred on a high neck, cap sleeve shell top, whimsical full skirt, relaxed cashmere knit, tailored 3/4 trousers, flirtatious tea party dress complete with Peter Pan collar and skinny toffee leather belt with floral motif detail.
Dainty daffodils were emblazoned on a high waisted, above the knee voluminous skirt. The skirt was twinned to the classic white poplin shirt finalised with bourgeois French cuffs. Supermodel Candice Swanepoel modelled a sassy, effervescent, sailor inspired navy bustier complete with eyelet detail, leather butterscotch straps with white stitching. The leather straps encompassed her bare torso. The look was finalised with a micro mini dancer skirt and neutral macrame clutch.
Demure hemlines were evident on a full navy skirt complete with bold geranium print scattered throughout. The skirt was paired to a matching shell top. A trend brimming with prestige and finesse that appears to be here to stay. Karmen Pedaru modelled a utilitarian anorak in the punchy shade of canary yellow. Kors' love and appreciation of tailored sportswear was apparent on this garment. The anorak offered minimalism in a chic, magnetic arabesque.
A tulle, transparent dancer skirt was highlighted by delicate geraniums. A botanical delight brimming of impeccable glamour sure to entice New York's society ladies. The time honoured sky blue shirt was married to the skirt an attributes included elongated sleeves grazing Ondria Hardin's knuckles. Kors' latest swimwear offering consisted of a floral print, canary yellow and apple green, ruched high waisted pant, twinned to a triangle bikini with matching shrunken, two button blazer complete with elbow length sleeve.
Plaid in neat, ladylike proportions played an integral role in the collection accentuating a boatneck mocha and white taffeta sundress complete with obi sash waist belt, tailored Capri pants, voluminous wraparound midi length shirtmaker dress and an insouciant button down shirt which was married to a calf grazing black wool gabardine skirt with thigh high split.
Gingham made an appearance on a breezy summer skirt which was coupled to a ribbed, off the shoulder, cropped ebony knit. A coffee plaited leather belt and crossbody shoulder bag accessorised the look. The collection closed with a series of monochromatic looks including a silk mikado skirt which lent graceful movement to every stride Caroline Trentini made and a structured deep v-neck plunge, cap sleeve midi dress, stylish decadence in modern proportions.
By Courtney Jones.
Versus Versace
Legendary designer Donatella Versace teamed up with Anthony Vaccarello for the latest Versace Versus installment. The dynamic duo were a match made in heaven with the winning combination of Vaccarello's intoxicating, unashamedly bold designs twinned to the queen of amplified glam, Donatella Versace.
The collection opened with current fashion fave Anna Ewers modelling a lackadaisical strapless black body con dress teamed to a sleek, subtle peak shoulder overcoat, worn slung over the shoulders, falling mid thigh.Triple gold Medusa head buttons graced the left lapel. Opaque stocking socks were paired to the classic ankle strap high heeled sandal. Gold accents lent ostentation to the mix.
A succession of black ensembles continued to star on the runway and included an elongated tuxedo jacket oozing of energised cool paired to a gold breastplate, a-line miniskirt, Balmain-esque power shoulder structured blazer dress worn plunging to the navel drawn in with the staple boxing belt. Eighties connotations reigned supreme. Overalls were updated in sensual, suggestive proportions. A sizzling leg baring shirtmaker maxi featured in a billowy fabric which revealed copious amounts of flesh with every stride the model made. A Grecian goddess inspired halter number came complete with plunging neckline, cinched waist and gold button detail. Libidinous thigh high splits were very Vaccarello. Seductive charm is embedded into his design DNA.
The infamous safety pin dress donned by Liz Hurley in 1994 was reconfigured and details included one shoulder, asymmetrical neckline, micro mini proportions and gold rivets held together by elasticised sutures. A liberated silhouette for those who dare to go commando.
A burnished gold leather high waisted miniskirt punctuated a simplistic sheer ruched cami. The iridescent gold leather continued to be a hallmark feature on a masculine, streamlined blazer with double button closure and welt pockets.
A monochromatic scarf print was emblazoned on streamlined, hip hugging trousers, step hem miniskirt, boxy college bomber jackets, cropped midriff baring blouse and a mesmeric wraparound dress. Grecian key motifs flourished on rebellious bandage mini dresses, transparent camis, halter plunge monokini and a textural leather miniskirt.
Aerated leather tanks added sporting luxe to a stretch leather mini whilst the staple denim shirt in charcoal was transmogrified with a punctuated leather bodice.
Anja Rubik closed the show in an ebony, asymmetrical mini dress, waist attenuated by a waxy leather belt. Perforated leather panelling featured on the right side of the waist and cascaded mid thigh to reveal a fish tail floor grazing panel placing a modernistic edge to the garment.
By Courtney Jones.
