Gucci Pre Fall 2014

Gucci Pre Fall 2014

Frida Giannini's Pre Fall Collection brimmed with 60s and 70s references. Pop Art, conceptualism and Andy Warhol sprung to mind with garments comprising of tailored silhouettes, bold graphic prints and the time honoured staple trench.

The collection opened with fire engine red, cigarette leg trousers, minimalistic, sleek fuchsia overcoat offering clean lines which was teamed with a raspberry v-neck sweater, leather shirt, patent horse bit loafers and a leather Greek fisherman cap. A white, architectural, quilted envelope clutch finished the look.

A magenta cocoon shift in free flowing proportions was married to a leather, platform midi boot featuring a chunky, platform pillar heel. Socks were worn peeking over the top of the boot which gave the look a distinct 70s flavour.

A neon tangerine duffle coat came complete with oversized black toggles. Colour blocking played a starring role in the collection and this was evident with the coat being paired to a chambray shirt, vermilion round neck fur sweater complete with fuchsia streamlined trousers.

A high waisted, knife edge pleated skirt in persimmon fell mid thigh. Casual cool prevailed when twinned to an oxblood, oversized, man style leather shirt.

Military references were apparent on a navy, shrunken, double breasted jacket paired with matching tailored trousers. teal platforms added an unexpected twist.

A gargantuan, astrakhan golden chartreuse fur jacket was teamed with a mustard and black Breton stripe top, skinny leg ankle grazing trousers and black patent loafers.

Leather featured on a sumptuous waxed fudge jacket. The shade of canary yellow starred on trousers and loafers, finished off with a pair of eternally chic wayfarers. Canary yellow continued to make an appearance on a poetic, ladylike demure, above the knee, body skimming dress complete with peplum obi sash and puff sleeve shoulder detail.

Covet worthy garments included a teal, brushed angora, double breasted jacket with a funnel neck, ribbed knit and a boatneck sloping shoulder, trapeze woollen sweater with wide black leather cuffs.

An undulating flesh, black and white striped maxi dress commanded attention. On the other end of the spectrum a simplistic black shift with embellished beaded collar and cuffs offered a lackadaisical approach.

By Courtney Jones.

 

Burberry Pre Fall 2014

Burberry Pre Fall 2014

Designer Christopher Bailey of Burberry Prorsum embarked on a design affair rich in classicism coupled with meticulous tailoring which resulted in an enchanting collection bursting with panache.

A minted turquoise, knee grazing dress featured spliced keyhole to the navel and gathered waist detail. An elegant, body skimming, sensual addition which was complete when paired with the time honoured ankle strap stiletto embodying pure femininity.

An angora wool, muted mauve, midi length, pencil skirt oozed with textural qualities. The skirt was married to a printed graphic shirt complete with road map fabric. A black, floral, jacquard, double breasted jacket worn with sleeves pushed up effortlessly, accompanied the look. A diamond print, mocha and black bowling bag featuring gold accents and a pair of suede, intricate lace up, ankle wedge booties, with peep toe, were the accessory of choice. 

The staple Burberry trench was reinvented in a grey and white London street map fabric, collar displayed protruding, pure ingenuity by Mr Bailey.

Jewel tone, emerald green, brocade, baroque skinny leg trousers had plenty of rock star appeal. A shrunken, leather, bouffant, cropped jacket came complete with plush fur detail. Romance ruled on a forest green, chiffon, scoop neck, sleeveless dress with ruffles, flounces and a drop waist. A midi length hemline and enticing side split added allure. A mahogany bowling bag with mod squad print oozed with Prada connotations.

A colossal, black fur luxury collar was married to a chunky, navy, crop cardi jacket. A tee with architecture motif and a rich khaki angora wool pencil skirt finished the look which evoked deconstructed glamour.

An ink, ostentatious fur chubby was worn with a midi length transparent lace skirt which skimmed thighs. Other standout garments included a blanket wrap cape coat in cobalt and sapphire baroque trousers. A sumptuous, high neck, black fur caplet was twinned with a sapphire, body con, stretch velvet embroided dress.

A floor length, v-neck, side split, scarf print dress was teamed with a shrunken leather moto jacket with fur shoulder and wrist detail. Cultivated beauty was toughened up with this fashion forward jacket.

A ruby, jacquard, brocade trench dress brimmed with consummate class. The epitome of regality. Possibly a future ensemble to add to Princess Catherine's collection.

By Courtney Jones.

Christmas Gift Guide

Christmas Gift Guide for the beach, bohemian goddess.

Must have summer essentials include distressed denim shorts in ultra cheeky proportions. The leather Gladiator sandal returns once again this season with a vengeance. Shades include ebony, butterscotch, and dark chocolate. Pedicured nails a must! A luxurious beach towel in a Moroccan inspired print will radiate beatnik charm. I'm pictured wearing my floral and crochet bandeau bikini by Seafolly and my Ginja 'Marrakech' halter bikini complete with undulating paisley print and tassel detail. A roomy, durable, carry all for all your beach necessities is a given. Eyewear designers continue to push the boundaries with fashion forward designs. Be sure to get your hands on a pair of covet worthy, sophisticated yet edgy cat eye wayfarers in tortoise. A bold, brightly coloured slip dress is sure to get you noticed. Perfect to throw over your bikini for a beach to bar ensemble oozing of feminine allure and nonchalance. Accessorise with oversized, sterling silver, Navajo earrings or layer wooden beads around your neck or wrists for instant hippie, luxe glamour. Lastly to avoid harmful UV rays be sure to don a straw cowboy hat a la Elle Macpherson style.

Top row left to right-

One Teaspoon 'King Cobra Pinky Dress' $119, One Teaspoon 'Wild West Bonitas' $99, Billabong 'Nevermind Cowboy Hat' $50, Tigerlily 'Amode Sandal' $129.95, Element 'Westwood Carry Bag' $70, Billabong 'Woodstock Towel' $50, Tigerlily 'Beatnik Bohemian Candle' $39.95, Sunday Somewhere 'Laura Sunglasses' $265.

By Courtney Jones.

Blumarine Spring/Summer 2014

Blumarine Spring/Summer 2014

Italian designer Anna Molinari of Blumarine produced a whimsical S/S 2014 Collection brimming with innocence and feminine charm. Halfway through the collection Molinari injected a renegade, grunge element. Insouciance reigned supreme.

Kati Nescher opened the show in a pure white, delicate, point d'esprit, funnel neck peak shoulder jacket with deconstructed cummerbund detail worn spliced open to reveal a transparent mesh tank. Sleeves on the jacket comprised of embroided butterfly lace. Bermuda shorts in matching lace fabric completed the look. White, strappy, T-bar sandals with caged connotations were a bourgeois accessory.

A frothy, ethereal, dainty, butterfly lace strapless dress was body skimming and featured point d-esprit on sleeves and decolletage. A grosgrain ribbon belt attenuated the waist.

Romanticism ruled on a blouse featuring scattered blossoms with ruched cap sleeve detail. A simplistic addition which oozed with insouciance. Strategically placed blossoms were strewn throughout a sheer tank paired with an a-line pencil skirt. Detail comprised of a light imprint of fire engine red and ink.

A nude, barely there look graced a round neck, 3/4 sleeve floor length gown with embroided rosettes. A nude strapless corset slip dress was worn underneath. Butterflies enveloped a high waisted pencil skirt in shades of teak and white with gossamer like qualites. Garden party attire best conjured up the imagery.

The rebel within began to emerge when Yumi Lambert took to the runway in a strapless, ruffled rosette dress complete with mullet hemline, flowers cascading. Black, chunky ankle boots with buckle detail were a fierce addition.

Molinari channelled a modern day Brigitte Bardot reminiscent of her St Tropez days when Anna Ewers modelled a sweetheart neckline, fitted dress with cake like ruffled trimmings in canary yellow. A duchesse silk satin pencil skirt in lemon curd was paired with an empire line, cropped cardigan complete with fur collar and crystallized body and sleeves. A bling worthy, crystal encrusted envelope clutch complemented the look.

A lady bug red, man style blazer was of relaxed proportions,  featuring a white lapel, a provocative sheer mesh tee teamed with masculine, black leather, 3/4 trousers.

A fire engine red, a-line leather pencil skirt was married to a scoop neck blouse complete with silver cobweb embellishment.

A black chiffon, polka dot, deep plunge blouse revealed Ieva Laguna's broad shoulders. The blouse was worn tucked into a monochromatic black and white pencil skirt with sketched flowers printed onto the fabric.

An iridescent silver and black sequin encrusted mini dress was paired with a structured shoulder satin and lace tuxedo jacket. Perfect for the club scene and glitterati. The show drew to a close with a  strapless, cocktail, undulating ostrich feather dress in dove grey, black and silver. Embroided silver fauna completed the look.

By Courtney Jones.

Versace Spring/Summer 2014

Versace Spring/Summer 2014

Queen of glamour Donatella Versace delved deep into new territory this S/S 2014 opening the collection with a series of full round skirts, grazing knee caps. The ingenuity was noted yet the signature Versace woman would be more inclined to yearn for the sleek silhouettes the designer is famed for which progressed as the collection advanced and finally closing with a series of sensual, showstopping eveningwear.

Kailtin Aas opened the show the show in a hip hugging, low slung, knee length full circle skirt. the skirt seemingly appeared to have a lurex finish when in fact comprised of raffia, techy fabric at its best. Chunky, body chains were strewn across the bust and decolletage. A black, flecked, denim, boxy jacket worn spliced at the elbow was complete with suture detail. Strappy, bondage platform sandals lent a vampy feel to the look. 

Denim continued to dominate on an oversized jacket complete with sloping, bouffant sleeves. The jacket was worn fastened from the hemline to the navel to reveal a silk, chiffon, halter bandeau. 

Lindsey Wixon modelled a snug, stretch denim pencil skirt with centre suture detail. A man style, linen shirt worn cuffed oozed of safari connotations.

Undone, rock n roll glamour came in the form of baroque, skinny leg trousers teamed with an indigo, denim shirt worn unbuttoned to reveal fetishistic harness with lion head centre adornment.

Sasha Luss took to the runway in a snow white bandage corset with placket and collar detail. A pearlescent, high sheen, circle skirt swung playfully with every stride Luss made. Polarised chartreuse and bronze, oversized cat eye sunglasses and dove grey strappy sandals were the accessory of choice.

Watercolour ink prints brimming with fluidity came in delectable shades of violet, turquoise, fuchsia, lavender, canary yellow and ebony gracing a series of garments including a cami slip dress, elongated bomber jacket, vest and a relaxed knee length tunic.

Daria Strokus modelled a butter soft, muted lavender, leather, tooled floral blazer worn deconstructed at the base of the lapel. A matching hip encapsulating, libidinous pencil skirt added high voltage sex appeal. The look was finished off with a sheer, halter, bandeau in black.

Newcomer Anna Ewers glided down the runway with innate prowess in a ruched, mauve, body con dress with cross bust drapery. Glistening, capacious chain and suture detail were a juxtaposition of soft versus hard. 

Botanicals flourished on a free flowing languid tunic, ruched sheer pencil skirt, short sleeve blouse, stretch fitted shorts and a racy cut out one piece swimsuit complete with Grecian references.

Rock n roll influences featured heavily on a muscle tank emblazoned with the Versace motif taking a vintage cue from the likes of Aerosmith. Tooled leather shorts in more modest proportions were a sleek and inviting addition. 

Glomesh prevailed on a series of tanks, maxi Goddess dresses and a cowl neck scarf top. Deftly draped, ice blue, disco  glomesh draped a models lithe body in a boatneck, low scoop backless dress with wraparound mini skirt detail.

Stars aplenty will be clamouring to wear a floor length, plunge, v-neck, halter, asymmetrical gown with thigh split in nude and embroided azure, romantic florals devouring the dresses' entirety, finished off with a cross back, halter azure tailored vest.

By Courtney Jones.

 

Rag and Bone Spring/Summer 2014

Rag and Bone Spring/Summer 2014

Designer duo Marcus Wainwright and David Neville of Rag and Bone produced a S/S 2014 collection replete with practically minded pieces brimming with finesse and limpidity.

British model Sam Rollinson with the enviable razor sharp cheekbones opened the show in a simplistic eggshell and white apron style slip dress. Black accents prevailed on mottled, crocodile, peep toe leather booties and a shoulder bag worn cross body style. The stark contrast was offset by a striking tangelo pout created by makeup maestro Gucci Westman.

White, 3/4 length slouch trousers were paired with a sporty apron crop tank in ink. A vanilla streamlined blazer worn open to expose mid torso oozed with liberation. Sporting luxe reigned supreme once again this season.

Utilitarian influences punctuated a crisp white sleeveless shirt paired with a white knee length wraparound skirt. A medium sized flesh shoulder satchel was a chic carry all which accompanied the look.

Freedom of movement was evident on a black oversized, ribbed, plunge v-neck sweater with monochromatic white cuffs and v-neck detail. This in turn was teamed with a renegade 90s inspired grunge, lingerie slip skirt with scalloped hem. A halter, drawstring, crushed velvet dress featuring layered skirt detail was married to a white mesh long sleeve tee worn underneath, Round aviator lunettes added a unconventional edge to the look.

A delectable shade of azure ruled on a round neck, cutaway shift with keyhole detail. A split waist revealed a white chiffon layer, clean minimalism in understated proportions. Turquoise burst against the neon tangerine 'Carnival' Revlon lipstick. Hair comprised of a severe, dramatic, centre part slicked down to the ears with dry texturised tresses from the nape of the neck.

Other standout looks consisted of pale blue, narrow leg track pants with elasticised waist and porcelain pink free flowing languid arabesque tank.An icy silver, luminescent crushed velvet knee length dress was reminiscent of Courtney Love's grunge era. Look to Bec and Bridge's S/S 2014 collection  for a very similar dress in the shade of muted plum. White leather overalls modelled by Marine Deleeuw are sure to fly off the racks. Australian label Friend of Mine have designed a covetable dungaree version. 

The collection was a culmination of vivacity and the irrefutably modern, true to Rag and Bone’s DNA.

By Courtney Jones.

Isabel Marant Spring/Summer 2014

Isabel Marant Spring/Summer 2014

Feminine charm prevailed yet again this S/S 2014 season for Parisian designer Isabel Marant. Delicate pieces oozing with whimsical allure were annealed with leather, grommets and structured arabesques.

Elisabeth Erm opened the collection in a boxy, sharp shouldered tuxedo jacket comprising of elongated torso, satin nonchalant lapels and sleeves worn cuffed mid elbow length. A  layered, white frothy, lace mini dress brimming with innocence produced femininity combined with the tuxedo jacket equalling masculinity. A grosgrain ribbon acted as a sash belt adding casual cool to the equation.

A ruffled pure white camisole with ethereal qualities featured embellished panelling. This look was twinned with leather 3/4 track pants complete with lace up, grommet and blanket stitch pocket detail creating a cutting edge aesthetic. Leather, braided cuffs were the accoutrement of choice.

Hana Jirickova modelled a pair of distressed, muted salmon, denim shorts, deconstructed and frayed throughout were teamed with a lace boatneck top dissected at the shoulder seemingly held together by sutures.

Romanticism ruled on a dramatic, ruffled, sheer jacket featuring sculptural rounded shoulder. A Breton scoop neck tank accompanied the jacket and was complete when paired with relaxed, flesh trouser and beaded tassel lariat. A tiered, leather rah rah skirt with halter layered puristic cami was street or boudoir applicable. Hardened femininity was a reoccurring theme for Marant.

White, broderie anglaise, lace up trousers accessorised with cumbersome plaited leather belt were teamed with pale ice vo vo sheer scoop basic tank and a collarless ruched sleeve and bodice jacket with raw edge ruffle detail.

An indigo wash denim blazer featuring black lapels and sensual lace inserts was pieced together with matching floral lace tee and ivory pink, utilitarian trouser with robust hardware.

Svetlana Zakharova modelled a chiffon, flounce, spaghetti strap, mini dress featuring peach coloured blossoms reminiscent of a Cezanne painting. A leather strip bow belt attenuated the waist.

A dash of insolence was evident on a leather boatneck, long sleeve, drop waist tunic, tiered lace hemline in ultra short proportions. Country and western influences and Marant DNA was mixed with French savvy.

A lace, scalloped triangle bralet was full of enchantment, this was paired with black denim Bermudas and an organza, ruffle shrug.

Footwear continually dominates a Marant collection yet this season Marant didn't quite hit the mark with her rendition of a bulky Mary Jane crossed with a bootie complete with stud and grommet embellishment cascading down the t-bar strap of the shoe. A sturdy, suede cone heel ensured stability. Only time will tell if this shoe is as well received as Marant's famed wedge sneaker.

By Courtney Jones.

Emilio Pucci Spring/Summer 2014

Emilio Pucci Spring/Summer 2014

The spell binding concoction of Peter Dundas's famed Pucci formula continued to induce allure and magnetism this S/S 2014 with a stellar line up accommodating the broad clientele of the Pucci devotee. From pop princesses to socialites aplenty the designer tapped into athleticism paired with the staple Florentine scarf print, synonymous with the label.

Joan Smalls opened the collection in a leather, elbow length, perforated cropped tee featuring regal embellished motif comprising of a bejewelled crown housing rubies, sapphires and emeralds aplenty. A tapestry inspired, a-line mini skirt featured the year 1947 emblazoned, the year the Pucci house was founded, surrounded by jolts of bright colours channelling Jamaican references.

Clashing, haphazardous scarf prints dominated a pair of dhoti pants in a kaleidoscope of turquoise and cobalt in sensual satin. A mesh tank was paired with a black sports bra. A cropped, collarless jacket with zebra embroidery was married to a colossal sized boxing belt with the buckle starring an animal head complete with wings.

Andreea Diaconu modelled a beaded, boatneck mini dress with Pucci splashed across the decolletage in striking silver.Hints of Roman gladiator were evident on footwear lending a robust aesthetic to the silhouette.

A cleverly draped skirt appeared weightless, fabric swathed Josephine Le Tutour's hips as she sauntered down the runway with ease. A sweet heart neckline bustier with mosaic like embroidery in a riot of colour completed the look.

Black sequin sarouel pants were a glamorous night time accession. The look was modernised when married to a scuba, sleeveless, funnel neck, toggle, drawstring vest, complete with heavy duty zipper. The vest was anorak inspired and worn layered with a mesh tank.

A cropped parka with oriental kimono references was teamed with a scoop neck, fishnet tank and leather perforated running shorts. Peep toe suede and mesh panelled stiletto booties featured double, velcro ankle straps for a sporty spin.

An Ikat, graphic print poncho was fringed and of boatneck style. An elasticised waist, jogging short with undulating pattern also made an appearance on a sweetheart neckline, bustier, body con dress.

A billowy, diaphanous, parachute silk parka in the classic Pucci scarf print was twinned with a youth driven racer front tank. Liquid metal emulating aluminium foil graced a sci-fi, futuristic, 3/4 length trench modelled by Danish model, Josephine Skriver. The trench was paired with a halter, black scuba one piece, swimsuit, oozing with superhero qualities. The look was accessorised with a leather bumbag worn slung low on the side hips.

A tangerine, funnel neck anorak evoked utilitarian references. The jacket was paired with a 3/4 jodhpur pant in shades of tomato and ink combined with jolts of pewter.

Iridescent, ombre sequins shifted from emerald to burnt paprika, red, mint and cobalt graced a long sleeve mini dress modelled by Sasha Luss. An ethereal mermaid best conjured up the imagery.

A series of high neck, cutaway column dresses featuring oversized white, lurex, crochet were teamed with strapless, shrunken mini dresses adding an unobtrusive feel to the garment.

By Courtney Jones.

Balmain Spring / Summer 2014

Balmain Spring / Summer 2014

Olivier Rousteing produced a divergent silhouette this S/S 2014 season which was an audacious move for the designer who has built an empire on the body con arabesque. The staple flesh baring garments still managed to make an appearance yet this time the sex was toned down for a more modest approach. Think Balmain paired with a dose of Chanel.

The opening look modelled by Elisabeth Erm consisted of an oversized, sloping shouldered, houndstooth jacket reminiscent of something you would find in a martial arts studio. The rigid jacket was attenuated by a monochromatic boxing belt featuring large chain link detail. A leather knee grazing flounce skirt with hi-lo hem was paired with a perforated leather midi boot with pointy patent toe cap detail. The look was accessorised with gargantuan gold chain cuffs which engulfed wrists.

Rather than Balmain's classic cropped skinny leather trouser, Rousteing opted for a relaxed man style trouser this season which was married to a college baseball bomber jacket, quilted with leather collar and placket. A pinstripe tank was worn underneath evoking true American sporting references.

An ivory, quilted, high waisted, a-line skirt with centre plunging button detail was teamed with a sheer nero Vichy check tank oozing with ladylike demure and Chanel connotations. This look was modelled by Rosie Huntington Whiteley who made her catwalk comeback debut.

A standout pair of leather overalls featured  a rounded, sculptural shoulder. The overalls were worn loose and androgynous with heavy duty gold accent press studs adding just the right amount of polish. A basic white tee was worn underneath the overalls for a shot of masculinity.

A mid blue, denim wash, off the shoulder top, came complete with horizontal chain sutures. The look evoked the 80s and concluded with paper bag waist, free flowing denim trousers worn tapered at the ankle. Matching denim quilted boot with metallic gold toe cap was the footwear of choice.

Balmain's famed mini dress returned in the shade of pure white complete with satin quilted bodice, bevel shoulder ruched sleeve with grommet suture detail and white feathered hemline. The dress was drawn in at the waist by the staple chain boxing belt.

Czech model Hana Jirickova, dubbed the next Kate Moss, wore a bleached chambray, crystal encrusted, structured shoulder blouse worn cuffed at the elbow complete with leather inserts which texturalized the semi transparent panelling. High waisted, quilted, flat front trousers with four gold Medusa head buttons, brimmed of the 70s with a splash of Versace in the mix.

Closing runway looks appeared deconstructed with artisanal qualities, combined with heavy embellishment. A very ostentatious collection for the woman who beckons to be noticed.

By Courtney Jones.

Zadig and Voltaire Spring / Summer 2014

Zadig and Voltaire Spring / Summer 2014

Dishevelled, yet polished panache and Parisian glamour were the words that best conjured up the imagery of Zadig and Voltaire's S/S 2014 Collection.

Cecilia Bonstrom's latest display was the epitome of effortless, undone chic.

Hanne Gaby Odiele opened the show with plenty of swagger, modelling a slip dress, cascading mid thigh with grey scalloped lace trimmings. A collarless black and white woven rabbit fur jacket was accessorised with black cuffs resembling hardware and dainty gold bracelets. Cumbersome versus fragility were the juxtapositions prevalent. Delicate gold rings encased fingers.

Black, leather cropped trousers with reinforced pockets and side panelling were teamed with an embellished, antique lace blouse in the shade of white, kaftan style. A black fedora and chain handle shoulder handbag featuring leather tassel detail concluded the look.

A black leather, shrunken moto jacket complete with quilted shoulders was married to a jacquard bralet with a smattering of subtle crystals.

A Navajo inspired belt, worn slung low on the hip was teamed with a black mini skirt, layered with sheer lace, sequin adorned harem pants, only for the fearless.

A black silver, snakeskin, jacquard asymmetrical dress for after five, was accessorised with a statement making, black leather fringed shawl. Urban cowgirl crossed with luxe bohemian hippie best described the look.

Purism came in the form of white slouch suiting with relaxed proportions. The suit was worn with a silk camisole. Yellow piping detail on the trousers added an unexpected element to the look. A leather lace up, silver mesh tank was paired with a billowy, floor sweeping, dramatic lace kimono, reminiscent of dark gothic glamour. For a more affordable price point look to label 'For Love and Lemons' whose aesthetic is analogous.

Grunge elements were evident on a strapless, leather onesie worn mid calf with a strong dose of nonchalant appeal. A drop waist with pleat detail and spike trimmings lent a creative edge. A liquid gold sequin blazer with structured shoulder was coupled with a sheer, gold lurex tee dress, deconstructed at the neckline. A black triangle bra and knickers were worn underneath for modesty.

Jolts of venetian and candy apple red were found on barely there crochet knits spliced with black and white sporadic inserts. A dip dye woven rabbit fur coat, falling mid thigh complete with white fur trimmings was teamed with distressed, bleached denim shorts.

Covetable bijoux launched this season and colossal cross stud earrings and mixed metal bracelets were lust worthy accessories.

The staple Zadig and Voltaire grey and white snakeskin print appeared on a onesie teamed with metallic silver crocodile clutch and flat black buckle futuristic silver moto boots. Lurex socks made another runway appearance with designer Hedi Slimane of Saint Laurent showcasing comparable socks just days earlier in Paris.

Mid western references crept in on a excessively fringed leather mini skirt,leather shell top with fringing descending over the bust and lastly a boatneck leather dress skimming the body.

By Courtney Jones.

Saint Laurent Spring / Summer 2014

Saint Laurent Spring / Summer 2014

Uber cool designer Hedi Slimane's current spring/summer 2014 collection generated undertones of grunge, rebellion, androgyny, with a devil care attitude and a heady mix of raw sex appeal. A highly wearable collection,with desirable, edgy pieces beckoning to be worn by rock n roll femme fatales.

Edie Campbell opened the show in a sharp, padded shoulder, plunge to the navel, crystal encrusted mini dress channelling galatic references. The dress seemed to have drawn inspiration from the house of Balmain or the more affordable Brian Lichtenberg.

A lady bug red, lip motif was plastered throughout, a peak shoulder, deftly draped wrap dress reminiscent of Diane Von Furstenburg. A tiered, heavy duty bike chain collar lent a punk edge.

A boxy, dove grey houndstooth tuxedo jacket in mannish proportions was paired with a matching subtle peg leg, tailored trouser. Accessories comprised of a skinny leather tie, skinny belt, black court shoe with practical mid heel and ornamental, crystal, ear climber.

A molten metal and black candy striped blazer with black leather lapel detail was twinned with coordinating mini skirt pared back with a classic white shirt, creating a balance of embellishment versus minimalism.

Lanvin connotations were evident on a one shoulder, cocktail prom mini dress with a strong nod to the 80s era. An iridescent sheen was prevalent on the cleverly draped dress featuring asymmetrical hemline and a prodigious bow sleeve which acted as a strong focal point.

An embossed undulating high waisted leather skirt was married to a cropped, boxy blazer with sateen lapels. A scoop neck mesh tank accompanied the look. Reptilian platform pumps with metal, snake, toe cap detail, concluded the look.

Military references crept in on a bouffant sleeved, khaki, cropped, military jacket. A transparent black shirt with opaque placket and collar was worn underneath. A leather, a-line mini skirt was followed by pearlescent, ribbed, glitter ankle socks paired with ankle strap pump.

Debbie harry seemingly came alive on the runway in a bubblegum pink and black stretch sequin bandeau and molten leopard body con skirt. A grommet infested bow featured on a textured, ebony, leather pump.

A leather biker jacket with oversized, ponyskin, zebra lapel was softened by a whimsical, gossamer effect skirt overlay flowing diaphanously as Linn Arvidsson strode down the runway. A lustrous, collarless cape jacket with split sleeve detail was teamed with a plunge neck, emerald green billowy mini dress with black mesh underlay.

Geometric associations played out on a graphic, optical illusion, monochromatic chiffon dress with puff sleeve and high-low side hemline worn with second skin leather leggings.

The show closed with a series of attention vying dresses. A striking effulgent sequin encrusted, vivid vermilion and black tiger boatneck mini evening dress served up serious attitude yet was sweetened by a black sequin, bow belt and futuristic silver kitten heel lace up ankle boot.

By Courtney Jones.

Michael Kors Spring / Summer 2014

Michael Kors Spring / Summer 2014

Venerable, American designer Michael Kors served up a potent mix of effervescent clothing mashed up with classicism and distinguished lines for his Spring / Summer 2014 Collection.

Kors campaign star, Karmen Pedaru opened the show in a crisp white, tailored blazer worn buttoned mid torso, attenuated further by a slimline, honeycomb, leather belt. This was teamed with a free flowing, under the knee, bias cut skirt. Pedaru carried an oversized woven envelope clutch, oozing with Kors DNA.

Sasha Luss modelled a taupe, v-neck, knee cap grazing, white and fawn floral print dress.Perfect for a high tea, baby shower or wedding. A 50s silhouette prevailed, bursting with charm. 

Luminous, bronzed skin was the blank canvas for a staple safari suit worn by newlywed Bette Franke. The look comprised of a cap sleeved, double breasted vest in latte twinned with matching culotte. A youthful, stylish addition for the warmer months.

Fur for summer you say? That was on Kors' radar, with an ivory fur chubby married with a chiffon, pussy bow blouse and taupe pencil skirt with centre split. Fur continued to make an appearance on a stole thrown casually around the shoulders of model Lindsey Wixon. This was paired with a duck egg blue pinstripe shirt, indigo denim high waisted shorts which were accessorised with gargantuan tortoiseshell sunglasses, very Jackie O and a toffee croc handbag and plaited leather belt.

Texture came in the form of crochet with many pieces baring artisanal qualities. A grey crochet cardigan was paired with matching knee length dress.

Limpidity reigned supreme on a waxed leather, short bouffant sleeved, zip up, shell top in honeycomb. Irrefutably modern and sculptural. The shell was teamed with a neutral, relaxed silhouette, mini skirt with youthful connotations.

Lace which continues to be an inescapable fixture with designers made an appearance on a muted navy, delicate round neck dress. Tiered, short lace sleeves added a feminine, ethereal touch. The dress was updated with a navy, snakeskin belt and matching platform Mary Janes.

Rustic knits came in the form of a charcoal ribbed crop knit paired with a cappuccino, python, high waisted skirt. Other knits included a generously cut cardigan and a cashmere crew neck sweater.

A profusion of prints brimming with pulchritude were apparent on poetic dresses featuring pillow sleeves, pussy bow collars often layered with a knitted vest conjuring up imagery resplendent of a preppy librarian.

A standout look modelled by Nadja Bender consisted of a sassy, chocolate and white large fauna print bandeau married with high waisted pencil skirt. The look oozed of St Tropez and Brigitte Bardot. Accessorise with cat eye sunglasses for the finishing, screen siren, touch!

By Courtney Jones.

Alexander Wang Spring 2014

Alexander Wang Spring 2014

Fashion prodigy Alexander Wang, a talent beyond his 29 years of age, showcased his Spring 2014 Collection at New York Fashion Week with much hype surrounding his show. Highly respected amongst fashion peers, Wang didn't disappoint. He is the designer who consistently breaks new ground with covetable clothing and fashion darlings aplenty clamour to get their hands on anything labelled Wang!

Fashion newcomer Anna Ewers opened the show in a dove grey, pleated, rah rah skirt with white cummerbund slung low over hips. A navel baring, sloping shoulder sweat with funnel neck offered clean, stark lines. Ewers clenched an envelope clutch which was clasped at the base of the bag for nonchalant cool. Materials included mustard pebbled leather with black accents.

Post show model Josephine Skriver posted a photo of herself on Instagram with her new handbag, a gift from Wang. A handbag which will definitely have an extensive waiting list. The pulling power of the official Model off Duty uniform continues to reign supreme.

A feminine powder puff blue, cropped peplum camisole, was paired with a free flowing man style trouser worn 7/8 length. A doctor's style envelope clutch in oxblood hardened the silhouette. High waisted, fluid, grey marle culottes were teamed with a grey argyle knit cardigan worn buttoned at the bust. The look embodied loungewear with a preppy twist.

A modern day pyjama ensemble comprised of a muted rose pinstripe boxer short with elasticised waist and scalloped hem married with structured elbow length shirt with stiff white collar detail. A long sleeve version featured in the shade of cornflower blue.

A leather trackpant with strong athletic references was teamed with a midriff baring oversized top with bib overlay complete with asymmetrical hemline. Irina Kravchenko sported a deep mahogany pebbled overnight bag, concluding the look.

Nineties slogans were emblazoned across tees including 'Parental Advisory Explicit Content' in techy pearlescent fabrics. Perforated, flesh tone, elbow length leather gloves accompanied a houndstooth bralet and culotte. Houndstooth continued to feature on a parka, mini skirt and cropped top.

Logo mania dominated on a pinafore dress consisting of leather strips emblazoned with the letters ALEXANDER WANG. Logo adornment continued throughout and was evident on a high waisted skirt with thigh high split detail and leather strap braces, a white and grey leather slip dress worn low on the bust and a boatneck apron dress.

Wang favourite Kasia Struss donned a white, wrap, bouffant straight jacket twinned with flat front high waisted short with side peplum.

Platform pointy toed shootie with chunky sculptural heel, metal eyelets and criss cross laces were the footwear of choice.

Erin Wasson closed the show in a square boatneck, white perforated knee length apron with cross strap detail and pleated skirting worn exposing side bust, modesty was not evident here. Fashionistas will be waiting with baited breath for the much anticipated unveiling of Wang's Balenciaga collection in Paris at the end of this month.

By Courtney Jones.

Bespecd Eyewear

                                    

Bespecd Eyewear

Australian label Bespecd Eyewear offer fashion forward optical glasses and sunglasses at a budget conscious price point. Frames with prescription glasses start at an affordable $95 making Bespecd Eyewear an absolute snitch. Why splurge on designer eyewear when you can achieve the same aesthetic at a fraction of the cost!

Glasses are the ultimate fashion accessory. They are statement making and can be worn according to any mood you may be feeling on any given day. Sunglasses are a chic, dapper accession which gives the wearer an instant face lift and update. Bearing a pair of sunnies is imperative in the harsh Australian sun. 

Bespecd offer a wide variety of modern, savvy, sophisticated eyewear in various styles to cater to numerous face shapes. Square shape faces should opt for round, oval, styles that soften features, round faces suit angular, rectangle styles adding architectural structure whilst heart shape should don frames that add considerable width to the lower half of the face creating facial symmetry.

Bespecd Eyewear feature trend setting, functional frames, many in unisex styles perfect for your beloved to pop on in that instant need to read that all important cafe menu or resist the glare whilst driving. The frames are lightweight and styles include the Salvador aviator, Harbin wayfarer, retro cat eye Rostov or channel your inner geek Terry Richardson style with the Darwin aviator prescription glasses. Frames are available in an array of shades including Olive Bark, Crystal Bloom, Turquoise, Cherry Red, Artic Leopard, Dark Smoke and Midnight Black.

Sunglasses have always been renowned for their rock star appeal and are perfect for those wishing to go incognito. Team your glasses with Summer's hottest trends including leather, lace, florals, graphic prints, utilitarian chic and luxe animal prints. Men looking to channel preppy, sporty, edgy streetwear or classic cool aesthetics look no further, Bespecd have a pair of glasses to emulate your own personal style.

Bespecd Eyewear is available online at www.bespecd.com.au. They offer a free home trial, free shipping in Australia and 60 days to return your glasses if you're not completely satisfied! 

I'm pictured modelling the different styles of eyewear. Top left clockwise: Darwin Aviator Optical in Canyon Brown, Salvador Aviator Sunglasses in Gunmetal Matte, Harbin Wayfarer in Crystal Bloom and Darwin Aviator Sunglasses in Canyon Brown.

By Courtney Jones.

Maurie and Eve Spring/Summer 13/14

Maurie and Eve Spring / Summer 13 / 14

Maurie and Eve's Spring / Summer collection brimmed with eighties silhouettes and sporting references. Plenty of flesh was on display with athletic arabesques dominating the collection.

The Maurie and Eve clientele is a young woman who is fashion forward, trend savvy and keen to experiment with various looks. She isn't afraid of bold prints or eye popping shades of colour resulting in a confident, body baring spirit who is clearly comfortable in her own skin.

Key Spring pieces available in store now include a silk animal pinafore dress, embossed skater skirts, halter neck dresses in floral geo, burnt tangerine and leopard.Monochromatic black and white panelled shifts, apron crops and pencil skirts offering clean, minimalistic lines. Scuba inspired pieces were constructed from neoprene adding a sleek, functional feel to the garment.

Summer pieces included a white muscle tank with amethyst azalea panelling paired with a high waisted stretch pencil skirt complete with undulating hemline. The azalea print also featured on a racer front, midi dress worn spliced at the torso. A crisp, modern addition bursting with the elixir of youth.

An Isabel Marant inspired Ikat motif, overblown sleeve blouse was of relaxed proportions. A high-low ebony skirt with scalloped hem concluded the look.

A khaki, cheongsam neckline, mosaic lattice bomber jacket was complete with fluidity. A turquoise, silk, crossover bust, halter jumpsuit in 7/8 length was a chic, stylish, statement making garment. Centre split shin detail put a creative spin on the look resulting in a glamorous piece reminiscent of something Jerry Hall would've donned in the seventies. A tailored, bohemian, flavour springs to mind.

Reptilian fabrics played a starring role in the collection and were found on a body con dress with cut-out torso detail, chocolate goddess bustier and micro, hipster, paper bag shorts.

Frayed, tortured denim shorts channelling Candice Swanepoel's editorial in Spanish Vogue 2013 edition were worn revealing plenty of gluteus maximus. Distressed, ripped, sand blasted denim boyfriend jeans were worn with a stomach baring crop, think nineties Calvin Klein advertisement. Bauble sized pearls were strewn around the neck creating a juxtaposition of styles.

An architectural, oversized polo tee was twinned with white denim cut-offs, a cheeky addition. A sensual lace tee was worn with a dose of androgynous appeal. Lace also made an appearance on a knee length skirt with libidinous centre split worn with white opaque mini underneath. A seventies long sleeve, body skimming lace jumpsuit was worn with a plunging white bodysuit for modesty.

Rich mocha and ink cowhide prints were evident on jogging shorts, funnel neck crop tank and second skin dresses.

Closing the collection were a series of black sequined cocktail wear pieces comprising of a structured bustier, culottes and a 3/4 length jumpsuit only for the flamboyant and dauntless.

Purchase Maurie and Eve online from their E-boutique at www.maurieandve.com 

Pictured top left clockwise: Glow Jumpsuit, Forever Midi Dress,Hazy Shade Crop Top, Oh Boy! Jean, Goddess Bustier and Oh Boy! Short.

By Courtney Jones.

Mercedes Benz Fashion Festival Sydney

Mercedes Benz Fashion Festival Sydney

Sydney Town Hall was transformed into a catwalk extravaganza for Mercedes Benz Fashion Festival. A ticketed consumer event aimed at fuelling the retail economy. Designers entice the consumer with displays of their collections currently instore. An app titled Boodl in association with MBFF was developed so the customer can purchase garments hot off the runway with their smart phone with a tap of their fingertips.

The schedule was divided into several shows. The most anticipated being the Spring/Summer Trends, showcasing looks from 33 Australian designers including Aje, Alice McCall, Camilla, Shakuhachi, Rachel Gilbert and Talulah. The shows duration totalled 45 minutes. Perhaps a fraction too long for most fashionistas who appeared overwhelmed by the number of looks to take in. An average show goes for 15 minutes maximum and this longer duration resulted in the attention span slipping radically for many of the shows attendees.

Key looks included diaphanous, billowy kaftans from Camilla evoking all things bohemian. Perfect for an exotic sojourn for the well versed traveller. Shakuhachi produced digi floral print dresses, bursting with bold flowers and botanica. An Aje standout comprised of a blossoming, floor length, chiffon maxi in petal pink. The bustier featured ruching and the gossamer skirt with provocative thigh split surged as the model strode down the runway. Ginger and Smart embraced the bralet this season, pairing it with jacquard emerald and navy tailored pant, complete with matching jacket worn casually cool over the shoulders. Rachel Gilbert added a dose of high voltage glamour with a flesh tone, strapless gown featuring undulating sequin panel embellishment, highlighting panels of delicate, wasp like, nylon tulle. Perfect for that red carpet event or for mere mortals, that special occasion. Market HQ provided youthful pieces for the budget conscious wanting there fashion fix at a fraction of the cost. Think trend driven pieces such as PVC moto vest, oversized college tees, white lace dress and a midriff baring top in racer silhouette. We Are Handsome continue to dominate the world with their edgy swimwear, think sexy 80s one pieces in shades of sorbet and barely there bikinis perfect for an iconic Australian summer.

Clockwise from top left: Ginger and Smart, Aje, Shakuhachi, Camilla.

By Courtney Jones.

Theyskens' Theory Resort 2014

Theyskens' Theory Resort 2014

Designer Olivier Theyskens of Theyskens' Theory, latest Resort 2014 offering had a distinct 90s flavour. The collection starred Hanne Gaby Odiele, a model who is renowned for own personal style and is admired by 20k plus on Instagram alone for outlandish style combinations and zany personality.

Odiele opened the show in a white sports crop paired with a black leather vest and low slung, free flowing, pinstripe pant. So voluminous were the pants that they could be construed as a maxi skirt. The look brimmed of casual cool mixed with insouciance.

A shapeless shift in mushroom featuring distressed, fringed v-neck insert was the epitome of model off duty style. The shift was worn a size too big, engulfing Odiele's lean frame. Effortless style provoking just the right amount of attitude was the driving force behind the collection.

A stone, canvas button down trench complete with sloping shoulders was married with an indigo, utilitarian shirt worn open to reveal an exposed black sports crop brimming with athleticism. A neatly tailored flat front trouser in a narrow leg arabesque concluded the look.

Baggy boyfriend jeans teeming with androgyny were sandblasted, stained and distressed at the knee caps and drawn in at the waist by a simplistic, charcoal belt twinned with bouffant sleeved sweater, sleeves pushed up ever so slightly for nonchalant allure. 

A slim fitted black leather shirt was worn buttoned to the neck and paired with an a-line denim mini skirt with sand blasted panel detail.

Platform, strappy, t-bat sandals complete with double ankle strap and chunky heel were coupled with a bleached, cropped denim jacket featuring frayed hemline. The ultimate fashion blogger's staple uniform. An apron style, midi length dress offered a play on proportions when paired with a shrunken jacket.

A glamorous accession came in the form of a cap sleeve, snow white dress featuring a waist defining cummerbund and hemline falling elegantly to the calf. A natural tone and white fur short sleeve overcoat evoked an old screen siren diva yet updated with an energetic twist.

Wardrobe fundamentals included the paper bag taupe shorts, basic scoop neck tee and a structured ink blazer.

For those wanting an injection of prints opt for the graphic, monochromatic skinny trousers.

By Courtney Jones.

Ralph Lauren Resort 2014

Ralph Lauren Resort 2014

Ralph Lauren's latest Resort 2014 Collection was amplified with delicate, wasp like attitude. A poetic refinement was injected into the collection resulting in defined silhouettes exuding consummate class.

The collection opened with the time honoured black felt beret worn nonchalantly to the side. A racer front, athletic torso dress with drop waist layered georgette skirt oozed of the fifties flapper era, femininity reigning supreme. The dress was paired with an ice vo-vo crossover top inspired by ballet dancer attire. Footwear consisting of patent courts with dainty ankle strap emulated tap shoes.

Contemporary dance references continued on a black, cotton lycra leotard paired with a chiffon wrap around skirt with side tie detail worn layered over 7/8 leggings. Court shoes with satin ribbon ankle detail were reminiscent of point shoes.

A cashmere, funnel neck sweater, shrunken in proportion came complete with ribbed cuffs, hemline, and neck. A black, sarong style midi length skirt with asymmetrical hemline accompanied the look as did a free flowing trouser worn tapered at the ankle.

A billowy, cotton candy, organza transparent blouse worn knotted at the waist brimmed with romanticism qualities. This was twinned with a sweetheart neckline, strapless dress, crossover ruching featuring at the bust. The hemline fell elegantly below the knee cap. A snood neck organza poncho with leather trimmings was married with a black shoe string unitard, only for the trim, taut and terrific.

A sultry satin trench dress which wouldn't look out of place in the boudoir was replete with kimono references. The trench was drawn together at the waist by a corded belt featuring a circular, Mother of Pearl disc. A burst of colour flourished on a lavender, suede, man style trench oozing with androgyny, worn nonchalantly, collar protruding. This was twinned with a black turtleneck sweater and tailored, narrow leg trouser.

Glossy leather leggings acting as second skin were matched with a boiled wool ebony mini trench. An ornamental chrome collar with graphic connotations graced Valentina Zelyaeva's chest.

A knife edge, pleated skirt in a monochromatic floral print was worn with a velvet crossover complete with satin lapels, cuffs and waist belt. A deep plunge, sleeveless graphic print dress featuring leather vertical strips and cummerbund detail was the perfect cocktail annexation.

A closing runway look consisted of a boatneck column dress flowing diaphanously. A wraparound organza sash created a nipped in waist. An exposed back with crossover strap detail was perfect for the body beautiful.

By Courtney Jones.

Jean Paul Gaultier Resort 2014

Jean Paul Gaultier Resort 2014

Illustrious designer Jean Paul Gaultier produced a lavish resort collection brimming with theatrical references. A stylish, wearable collection bursting with vivacity and grandeur.

The collection opened with an androgynous, disparate tuxedo jacket complete with organza sleeves and panels married with man style, cuffed trousers, outer panels featuring fish net inserts.A languid silhouette prevailed.

A classic, crisp white shirt dress worn with collar neck piece comprising of multiple chains strewn around the neck was updated with the inclusion of a transparent, organza pencil skirt worn layered over the dress with bike shorts peeking underneath. Fishnet stockings and patent court shoes concluded the look. 

Parisian chic flourished on an organza, ebony trench twinned with snow white shirt and high waisted wide leg trouser offering freedom of movement. A monochromatic palette was an inescapable fixture.

A deconstructed, understated shirt was an avant garde accession, perfect for an evening out. This was twinned with a fitted pencil skirt complete with trompe loeil effect nude panelling.

A voluminous, romantic, flounce top featured oversized ruffles cascading diagonally, very Ralph Lauren. This was paired with mid thigh black lycra shorts inspired by modern contemporary dance.

A v-neck, bustier, floor sweeping maxi with side split detail came complete with organza, bouffant sleeves, cuffed and decolletage inserts. Gothic connotations were softened to reveal a hidden femininity.

A leather, stone, cropped moto jacket was worn over a poetic peach bellini, ankle length tutu in which layers of tulle omitting gossamer airiness engulfed the models legs. A flesh, bandage leotard accompanied the look. Nude corsetry, stiletto ankle boots were a charming addition. An ivory, boatneck knit complete with exposed shoulder and crochet inserts was teamed with ivory trousers with side split ruffle detail, cleverly draped fabric descending and tapering at the ankle.

A strictly tailored, elongated, split sleeve blazer in lady bug red was paired with matching cuffed short and silk vermilion and black leopard print shirt. A colossal straw hat with net overlay plummeted over the models face. perfect for those wishing to be chic and incognito. Large fishnet stockings and black bandage wrap stiletto sandals finished the look.

By Courtney Jones.

 

DKNY Resort 2014

DKNY Resort 2014

Donna Karan's DKNY line was a heady mix of sporting luxe paired with clean, minimalistic lines. Athleticism was updated in iridescent sheens comprising of sequins and sumptuous leathers.

The opening look consisted of a floor sweeping, black chiffon maxi skirt complete with devore lace front panel and opaque mini worn underneath. This resulted in an ethereal effect. The skirt was juxtaposed by an athletic, track team, mesh tank emblazoned, college style, 'New York DKNY Donna Karan!'. A tuxedo jacket with leather lapels concluded the look.

Masculine tailoring was prevalent on an oversized, textural parka. A cocoon silhouette with sloping shoulders was twinned with a streamlined, single button vest worn with sleek, tailored trouser and crisp white shirt featuring decorative, embellished collar.

A track and field inspired sweater featured blouson leather detail and lace fluted sleeves and torso. Lace continued onto flared trousers with built in bike shorts putting a modern spin on athleticism. A boiled wool, heavily structured cape coat was a strong arabesque, dominating the collection. A dapper knit and chiffon rosette formation, a-line skirt accompanied the look.

Burnished metals played a key role in the collection. They were updated offering plenty of panache, think metallic bronze, crew neck shift complete with black cotton ribbed cuffs adding a utilitarian edge. A gold, sequin bomber jacket was a lustrous addition teamed with a subtle peg leg trouser. Sequins also made an appearance on a knee length, a-line skirt. A glamorous night time inclusion with thigh high split adding the correct dosage of sex appeal. The skirt was toned down with a baseball cap, oozing with effortlessness. A matte gold leather bomber jacket is sure to get you noticed.

A vibrant jolt of cobalt made its way onto a 3 piece ensemble comprising of asymmetrical neckline, hemline dress worn over a chiffon skirt. Layering continued with a colour block, tuxedo jacket, single breasted complete with welt pockets and black contrasting lapel.

Monochromatic track pants with white piping detail were a mod addition brimming of casual cool. Track pants were married with a black blazer featuring stark white lapels, welt pockets and a mesh sports tank. Track and field gets sensual and steamy modernized with an enduring maturity. Turn up the heat, no sweat required!

By Courtney Jones.

Altuzarra Resort 2014

Altuzarra Resort 2014

Innovative designer Joseph Altuzarra produced a collection resplendent of the seventies era which was replete with bohemian references and ostentatious connotations.

The collection opened with a lace up, luxe, ivory and vermilion, embroided, poetic silk blouse bursting with romanticism. This was married with a taupe, tailored vest and matching narrow leg, flare trouser. A butterscotch double waist cincher featured leather braiding detail and was a beatnik accessory choice.

Ikat, Isabel Marant inspired knee length terracotta and navy culottes came complete with knife edge pleating and were twinned with a lace up tunic. A neutral trench, very Burberry was worn effortlessly over the look. Cowhide, clog inspired platforms with ankle strap detail lent a rustic edge.

Beach chic ruled on an effortless, honey butter crochet, knit sweater with elongated sleeves. A juxtaposition of city bourgeois crept in when teamed with a form fitting pencil skirt with side split detail. 

A more formal take featured on the classic chinoiserie with silk chiffon cuff inserts and panelled hemline in dramatic ebony offering an enchanting effect. A black leather waist cincher set off the dress adding further ambiguity hardening the arabesque. 

A denim, chambray suit comprised of a high waisted pencil skirt, worn with suede hipster tassel belt, a denim blazer and innocence prevailed on a sheer, white lace bralet.

Continuing the denim theme was a sharply tailored blazer complete with white lace overlay. A charming addition paired with a denim shirt plunging to models navel followed by crisp, polished denim flares extending the silhouette.

A sculpturally inclined, body skimming dress with lace inserts scattered throughout the dresses entirety offered lingerie references. A boudoir inspired, tea lace camisole with blanc panelling was paired with a cumbersome chocolate, suede pencil skirt. An off the shoulder, shirred pirate blouse with diaphanous sleeves was married with a skinny tasseled ebony scarf and high waisted skirt with lace peeking coquettishly from a titillating side split. This look eluded Tom Ford's YSL days, particularly his Fall 2001 Collection. It's as though Altuzarra delved straight into the archives with this duplicate aesthetic. 

A fox stole in burnt persimmon made an appearance over a ruched wrap, cross over dress, cleverly draped with modern dance references.

A showstopping evening wear look consisted of a burnished gold lace crew neck, maxi dress worn gathered at the waist and paired with ostentatious embellished bolero jacket with metallic accents, sure to garner plenty of attention!

By Courtney Jones.

Feel free to view my blogs.

www.modeloffduty.blogspot.com and www.modestyling.blogspot.com

Book me for personal fashion styling consultations- courtney@modestyling.com.au

Atelier Versace 2014

Atelier Versace 2014

Donatella Versace's Couture Collection opened with the one and only, original supermodel, Naomi Campbell slivering down the runway with pure prowess in a panelled, patent tuxedo mini dress complete with crystal contouring, slashed to reveal a lace, fetishistic bralet. 

Luxurious lace, La Perla inspired lingerie played a starring role in the collection lending a dark, gothic, glamour aesthetic.

An impeccably, tailored, mahogany, knee length body con, collarless dress was worn deconstructed at the left shoulder with Catwoman references.

A reptilian, oxblood under the knee trench was a bold addition replete of seductive charm. Deep plum sleeves and a defined waist drawn in by an ornate belt with circle centrepiece concluded the look.

A beckoning, stretch pencil skirt in midnight with crocodile and velvet undulating panels was twinned with a cropped, structured jacket and transparent, subtle polka dot, high neck, blouson.

Provocation ruled on a forest green second skin dress featuring centre key hole design on the torso and cross over strap bust detail in skimpy proportions. Oversized fishnet inlays and racer back detail concluded the look.

A scintillating lace bra was married with an open tuxedo jacket embellished crystal sleeve trimmings and low slung hipster flare trousers, a sensuous guilty pleasure exuding exhibitionism. A rhinestone Medusa head chain belt accessorised the trousers adding a flamboyant edge.

A menacing look comprised of a navy, plunge, body encapsulating dress with high neck fishnet insert worn layered with a black, croc, shrunken jacket with peak shoulders.

For the slightly more demure clientele, a fur mink collared neatly tailored jacket featuring rhinestone hook and eye detail and matching ebony pencil skirt was a stylish combination.

A plethora of libidinous garments were on display oozing with sex appeal appearing to be partially ripped off in a moment of heated passion, true Versace style.High octane, captivating energy.

A disparate garment comprised of a cropped cob web knit complete with mink fur strewn throughout, taut torsos a must! This was paired with embellished snake, lace, fishtail maxi replete of luxury.

A succession of gleaming, lavish evening wear rolled out onto the runway. A floor sweeping, cutaway halter, gossamer effect embellished dress in deep teal was an Oscar worthy addition which no doubt involved countless hours of painstaking labour to produce.

Middle Eastern harem inspired creation in metallic navy accents consisted of racer back bustier complete with shoe string straps and matching sheer maxi skirt with fish tail detail shimmering with every stride Mila Krasonoiarova took down the runway.

Lindsey Wixon modelled a seventies, Prince inspired deep plunge catsuit which was an iridescent combination of leather and lace pieced together ever so suggestively. Va va voom!

By Courtney Jones.

Feel free to view my blogs.

www.modeloffduty.blogspot.com and modestyling.blogspot.com

Book me for personal fashion consultations- courtney@modestyling.com.au

Balmain Resort 2014

Balmain Resort 2014

Dexterous designer Olivier Rousteing of Balmain produced a dynamic, fearless collection perfect for the indomitable Balmain woman. 

Model Manon Leloup was transmogrified into a bona fide, 80s powerhouse, siren. Stalwart silhouettes continued to reign supreme teamed with punchy contours.

A collarless, quilted, leather jacket opened the collection, this was twinned with pleated peg leg trousers worn cuffed with the hemline elongated over the heel of the gold toe cap, black quilted, stiletto ankle boot. Footwear strongly channelled Chanel's acclaimed aesthetic. Excessive yellow gold adornment featured on a gold bib, Vichy check necklace and a gold chain and lace boxing belt drawing attention to the waist.

A decadent, mesmeric, ivory ostrich feather, hipster mini skirt oozed of youthful connotations. A pink flesh, quilted college bomber jacket came complete with ribbed collar. This was paired with crisp shirting buttoned up precisely to the neck with gold double grouped buttons plummeting down the shirts placket.

A surefire hit with the street chic fashion pack will no doubt be the indigo medium wash, bib style, overalls worn slouchy and generously cut. This explored new territory for Rousteing who's favoured arabesque is purely for the body dauntless. Dungaree details comprised of gold button side entry and a centre pocket on the bib. The most bourgeois take on farm chic to date. A loose, white, masculine shirt was teamed with the overalls, a look brimming with androgyny. Burnished gold, quilted cuffs were worn nonchalantly on Leloup's forearms.

Denim continued to be very much in attendance and also featured on looks including a triple denim ensemble which comprised of a denim shirt which appeared to have had an encounter with a Bedazzler, stud and grommets festooning the garment. A cropped, panelled denim, structured jacket with quilted trimmings and sharp shoulder was a play on proportions when teamed with relaxed, eighties, free form jean. The explosion of denim extended onto a denim, fluted skirt and was married with a denim houndstooth, baseball bomber jacket eluding chambray aspects complete with gold chain sutures. Innocence prevailed on a muted salmon, checked, rah rah mini skirt replete with plenty of kick and layers upon layers of tweed protruding with copious amounts of feminine charm.

A conceptual, geometric, Parisian Breton stripe pant suit was brimming with sailor references and displayed a faint Vichy check running throughout the fabric in navy and white resulting in optical illusion like qualities.

An Edwardian, pirate inspired, ivory blouson was the epitome of Keira Knightely in the movie 'Pirates of the Carribean'. The ethereal dentelle inserts oozed with romantic attributes. The look was sexed up when paired with a high waisted, body worshipping, bandage mini skirt.

Other heralding looks drew inspiration from modern contemporary dance, think ruched chiffon drop waist dress in the shade of ice blue. On the other end of the spectrum emboldening looks were evident of Spanish matador, menswear inspired tailoring.

please feel free to view my blogs.

www.modeloffduty.blogspot.com and www.modestyling.blogspot.com

Book me for personal fashion styling consultations- courtney@modestyling.com.au

By Courtney Jones.