Showing posts with label Velvet. Show all posts
Showing posts with label Velvet. Show all posts

Friday, January 29, 2016

LANVIN PRE FALL 2016

LANVIN PRE FALL 2016

Design stalwart, Alber Elbaz departed Lanvin October 2015 after 14 years at the helm of the prestigious Parisian fashion house. Chomena Kamali and Lucio Finale were appointed acting Creative Directors, the result a sumptuously good collection steeped with sophistication and impeccable glamour.

The collection opened with a black, waxy, rubber coated trench complete with bouffant drop shoulder and raw unfinished hems. A white, poetic, high neck, scalloped, broderie anglaise blouse added drama to the ensemble which also included a floor grazing, regally hued, ruby, velvet maxi skirt. Accessories comprised of colossal, multi drop, diamante earrings, diamond patterned neckerchief and a small, neat, pearl encrusted boxy satchel.

A silk chartreuse pinafore swept the floor and starred in languid proportions. A tuxedo, wraparound blouse added polished panache to the fashion forward combination. A compelling patchwork, for fur coat featured in shades of toffee, vanilla fudge, butterscotch, and flecked mocha. A dark chocolate leather belt attenuated the waist, leather continued to adorn the cuffs and collar. The coat was married to suede culottes in the shade of maple. Victoriana themed, desert sand ankle boots were the footwear of choice with dainty almond toe and dark chocolate velvet shoelaces.

A generously cut, velvet, sapphire trench resembled a luxurious bathrobe.Voluminous, velvet palazzo pants matched the trench. Sleeves were pushed up insouciantly, on a pink and white candy stripe, ruffled shirt which was paired underneath. An ebony, fabric choker was emblazoned with dainty, red, bows.

Velvet continued to reign the design acumen and frequented a strapless, maxi dress with black bodice and crepe bandage straps that crossed over the decolletage and tied on the shoulder. A suede, mauve, belt drew in the waist which flowed fluidly into a lace, velvet and mesh panelled skirt. The colour palette included eggplant, ballet pink, maroon and noir. 

Poetic mash ups dominated on a deep, v-neck, flounce blouse in shades of aquamarine and cocoa, with gold foil detail. An alabaster, scalloped lace insert finalised the blouse which sat high on the hip. Mustard, tailored trousers in relaxed proportions brimmed with seventies connotations. For cocktail hour, a semi transparent, long sleeve, lace mini dress complete with ruffled bib will ensure you're queen of enchantment. Patent, leather, sharp pointed brogues added an androgynous edge.

Monochrome commanded a tailored, striped vest with origami qualities evident. Matching architectural, maximist culottes were of midi length and made for the fashion fearless. A buttersoft, leather, pleated camisole was a dapper accession. The billowing cami was teamed to an alabaster, fishtail midi skirt, a romantic ensemble with a modern day approach. 

A characterful collection oozing with ostentation for the self assured woman.

 

By Courtney Jones.  

 

Wednesday, February 29, 2012

Gucci Fall 2012



Dark romance is the best way to describe Frida Giannini's latest offering this fall season.
Dramatic tailoring with a sexy edge was a reoccurring aesthetic.
Velvet in jewelled tone hues such as emerald, chartreuse, turquoise, sapphire, amethyst, and onyx featured heavily on maxis, blazers, plunge neck, drop waist evening wear as well as languid trousers which appeared almost skirt like in volume.
Slouch leather pants tucked into crocodile flat under the knee boots lent an
androgynous tone to the collection.

Jacquard fabric featured on jodhpurs, coats, Edwardian goth dresses, soft olive ruffle blouses.

Sheer, sexy blouses with sunray pleating, applique and embellishment dominated the runway, often tucked into high waited, fluid knee length skirt with flounce.

An oversized fur coat in chocolate and desert sand was a real standout on the runway. It wreaked of opulence, modelled by Yulia Kharlapanova. Shearling and shag coats also made an appearance.

Other ensembles resembled silk pajamas but far more decadent, with prints that could have drawn inspiration fron the artist Van Gogh.

Chunky knits, tassel trim cardis and cheongsam style blouses completed the collection. As usual the collection finished with show stopping evening gowns. Layers of tulle enveloped models physiques, with plenty of flesh on display.

Statement handbags were big and boxy in patent crocodile. Peep toe suede bootie with ankle cut out was a chic addition.